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Songs:
- Whirl
- Tonight in the Alehouse
- Card
Games
- Sand
- Dancers at the End of Time
- Sounds of the Venusian Rain Forest
Downloads:
- Card
Games
Notes:
Whirl -Newage complaint
rock (is this a genre?) Featuring vocals by Constance Taylor, drum
programing by Jay Byrd, bass by Bob Ross, and a truly demented clavinet
lead by John Pendley.
Tonight in the Alehouse
- Apparently a comment
on the head-in-sand approach to dealing with
disaster. (Even I am not sure just what some of
these songs are about.)
Card Games - A meditation on mortality.
Sand - Like the two previous songs, a solo
effort. Polyrhythmic instrumentals with lyrics reflecting on duality.
(Yang, Yin, and company)
Dancers at the End of Time - Named after
the books by Michael Moorcock. Vocals by Constance Taylor, bass
by Bob Ross.
Sounds of the Venusian Rain Forest - Sound
sculpture featuring rain stick, friction drums, and other small
percussion instruments. Just over thirty minutes long with no loops
or samples.
All songs written, arranged, and engineered by Bill
Ring
All vocals, guitars, and midi programming by Bill Ring except as
noted above.
© 2004 William G. Ring |
Songs:
- Adam
Smith
- Love in a Jar
- Peacoat
- Believe
it or Not
- Probably
- Stuck
Again
- I Hope You Don't Mind
- People All Over the World
- Gypsy Lady
- Little Dog
- I'm
Your Man
- Always Tomorrow
- Goodbye
- In the Eye
Downloads:
- Adam
Smith
- Believe
it or Not
- Stuck
Again
- I'm
Your Man
Notes:
This
is the second of my solo" CD releases. The first, Bill
Ring and Friends, features instrumentals and background vocals by
most of the people who played with me in clubs over the years. With
the exception of one drum track, everything on that CD was played
by a real person, with no synths, samplers, etc.
Invisible
Fingers is a very different proposition. Except for the Mehndi hand
illustration by Loretta Roome, this CD is an exercise in solipsism.
What I could do myself (guitars, harmonicas, vocals) I did; the
rest (drums, keyboards, wind instruments) I programed in midi.
All of the mixes on this CD were previously
available only on limited edition cassettes. They have been remastered
for improved sound quality.
The title Invisible Fingers refers to a
lyric in the first song, and also to the midi tracks (played by
invisible fingers). I considered calling it Alone at
Last, but then I wouldnt have been able to use Lorettas
wonderful drawing.
The Songs:
Adam Smith - I was hoping this song about
reduced economic expectations would seem out of date by now. Silly
me.
Love in a Jar - Complaint rock with sex and drug references
- something for everyone.
Peacoat - This song started out to be about a particular
lover, but wound up being about several different ones. Anybody
know the feeling?
Believe it or Not - Sort of jazzy with a cheesy sax
lead. (Or is this so out-of-date that it is now vintage
and therefor cool?)
Probably - My dubious attempt at a Buddy Holly style.
Stuck Again For the First Time - Fast, funky. I like the
synth bass line.
I Hope You Dont Mind - By far the nastiest song Ive
ever released (though not the worst Ive written). No apologies,
but it did present a challenge figuring out what song to put after
it. Since anything I selected would have been a drastic change of
mood, I decided to go for broke and follow up with my most positive
song:
People All Over the World - This childrens song was
written for a play about the man in the moon that was supposed to
star Roger Daltrey. In the story, childrens dreams and wishes
come to the man in the moon like letters. This song is his response.
Gypsy Lady - Its only rock and roll, but I like it.
Little Dog - My take on an old blues lyric.
Im Your Man - No relation to the Leonard Cohen song.
The only country song on this CD.
Always Tomorrow - I will probably do this over in a different
style eventually, but I like the feel of this version.
Goodbye - The arrangement is a bit too happy for some peoples
taste, considering the lyric, but one persons contrast is
anothers conflict.
In the Eye - By far the folkiest song on this disc. The flute
is another cheesy synth classic.
Mehndi
hand - Loretta Roome
Everything else - Bill Ring
© 2004 William G. Ring
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Bio:
Since July, 2007 Bill Ring
has lived in the Finger Lakes region of upstate New York, and he
has recently begun playing clubs in the Ithaca area with Twy Bethard,
fiddle queen of the local jam scene. Together they combine country,
folk, "unplugged" rock, and the occasional old-time fiddle
tune in a style that blends as well as their voices. Since early
this year they have been making the rounds of local venues, including
the Lost Dog Lounge, Scale House Pub, Tioga Trails Café,
etc. (See the new Folksmith Show
Announcements page for details of upcoming appearances.)
In 2002, Bill moved
from New York City, his life-long home, to a renovated barn in the
Catskills, where he set up the recording studio in which he completed
all five of his CD's (available on CDbaby.com).
The first four compiled remastered versions of his earlier recordings.
The most recent, Still On My Mind, was recorded and mixed
in his new studio.
"The barn has the most incredible sound
- better than any studio I've ever worked in. The high ceiling and
oddly angled walls give it a natural ambience like nothing I've
ever heard. The first time I walked into the place I clapped my
hands, listened to the reverberation, and just about knocked the
landlady down and forced-fed her my deposit check.
"The completion of Still On My Mind
is the end of a creative and technical Odyssey that began with buying
my first guitar at age 16 and getting my first sound-mixing gig
as roadie for the Elephant's Memory in 1969. I've been writing songs,
performing, and engineering ever since."
Bill Ring began playing in New York City
in 1968. His first band, Another Country, was a folk-rock group
that played mostly at the appropriately named Cafe Bizarre on Third
St. in Greenwich Village. That club, along with pretty much every
other venue they ever played (including the old Sterns department
store across 42nd St from Bryant Park!) has long since been torn
down and plowed under.
After 15 years of solo performing, Bill
joined with Sally Eaton and Peter Pasco to form a new version of
Another Country, featuring assorted acoustic instruments, three-part
harmonies, and the considerable songwriting talents of all three.
The acoustic edition of Another Country appeared frequently at Speakeasy
and Folk City, both of which no longer exist. (Anyone notice a trend
here?)
Along the way he mixed live sound for performers
including Herbie Mann, Aretha Franklin, Paul Butterfield, Kiss,
and many others. He has also been an electronics designer and chief
tech at a major New York studio.
After Another Country, Bill began working
with his backup band, Ironwood, which at one time or another has
included most of the musicians listed in the notes of the CD Bill
Ring and Friends. There was also a short-lived collaboration known
as Sixteen Wheeler, which featured Bonnie Burns, Jaki D'accardi,
and David Ruderman for one gig at Wetlands, and Rod Horowitz in
place of David at the Eagle Tavern.
In 1991 Bill teamed with Constance Taylor
to front Ironwood. They also appeared as a duo under the name Cool
Dolphin. (Constance now lives and performs in San Francisco. Check
out her
page on this website.)
Besides the clubs mentioned above, Bill
Ring has been heard live and recorded on many NY area radio stations,
including WBAI and WQXR, and on college and community stations around
the USA. His recordings include:
- Still
On My Mind: Latest and best. Beautifully recorded
in the sweetest-sounding barn in the Catskill Mountains, Still
On My Mind features drums and percussion by Bob Lepre, acoustic
and electric bass by Rusty Boris, fiddle by Brahm Stuart of
Shaman, sax by Chuck Hancock, harmonies by Bibi Farber and Constance
Taylor, and acoustic and electric guitars, harmonica, and vocals
by Bill Ring. A bakers dozen original songs performed, arranged
and engineered by the writer.
"I think all my albums have a
lot to offer, but this is the best-sounding by far. It features
several old friends and a couple of new ones, and all their
performances are very special. You'll find some humor here,
and a dash of social comment, but the prevailing theme is memory,
particularly bittersweet recollections of love."
If you buy only one album by this artist,
this is the one you must have. Available from CDBABY.com.
- You
Are Here: The fourth and final album compiling
Bill Ring's pre-millennium recordings, which were previously
available only on private release cassettes. The first seven
songs are similar to the material on Bill Ring and Friends:
Old-time country sounding instrumentals featuring fiddle, banjo,
guitar, and harmonica, but with less than traditional lyrics.
The next three songs are electric productions that might have
been included in Invisible Fingers. The next four songs are
solo folk numbers, including a tribute(?) to the guru of deconstruction,
Jacques Derrida, and the title song, whose gist can be gathered
from a quick glance at the cover art. The album concludes with
a pair of instrumentals: one an acoustic improvisation in 10/8
time based on a diminished scale, and the other a dreamy meditative
piece featuring harmonium and whirling gong. Available from
CDBABY.com.
- Beneath
a Violet Sun: Dark, death-obsessed Newage weirdness
beginning with a Quicksilver-esque rock number and ending with
a 30+ minute sound sculpture featuring rain stick and assorted
small percussion instruments. In between lurk four Goth-folk
pieces that many aficionados consider among Bill Ring's best-written
songs. Some very cool, dreamy instrumental work here as well,
particularly the electric guitar lead on Sand. Only six songs,
but an hour's worth of highly unusual music. Very different
from his other albums, and well worth repeated listening. Available
from CDBABY.com.
- Invisible
Fingers: "Except for the Mehndi hand
illustration by Loretta Roome, this CD is an exercise in solipsism.
What I could play myself (guitars, harmonicas, vocals) I did;
the rest (drums, keyboards, wind instruments) I programmed in
midi. This is probably as close to a rock album as I'm likely
to come." All of the mixes on this CD were previously available
only on limited edition cassettes Don't Worry, It's Only Me;
The Fall of the House of Escher; and Invisible Fingers. They
have been remastered for improved sound quality.
Available from CDBABY.com.
-
Bill
Ring and Friends: Digitally remastered
cuts from early cassette releases Heaven Somewhere,
Ironwood, and Cool Dolphin. Also includes two songs
recorded live at the Sun Mountain Cafe. All original songs.
Lots of acoustic instruments, including 6- and 12-string guitars,
fiddle, mandolin, banjo, flute, harmonica, harmonium, and
percussion, with some electric bass and even an electric guitar
thrown in. Backup vocals by Bonnie Burns and Constance Taylor.
Folk/blues/country. Available from CDBABY.com.
-
Another Country:
With Sally Eaton and Peter Pasco. Many covers with some
originals. A few CD's exist, but very much a rarity. If
you REALLY have to have one, email Folksmith.
Virtually all acoustic, including a couple of a capella
numbers. Folk style.
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